Tanka Project #20: Grey day

Sometimes I use the photo prompts from Fat Mum Slim's photo a day challenge to inspire a tanka (and a photo!). Recently the prompt was 'one of a kind', so I went out into the dreary looking for something that was one of a kind. I must admit that I thought of a selfie, but I wasn't feeling photogenic, and looking around at the grey and the dreary and the still-f**ing-raining, I wasn't feeling that anything was particularly different, or one of a kind. Then I thought of the saying that you can't step into the same stream twice. It might look the same but the water has moved on and changed. The grey dreary might look the same but there is a different quality to the rainclouds, all that water, above and below is moving on, as are we all. Today someone has died, and their loss is felt. Today someone is born. Today all the other things inbetween have happened to someone somewhere. Today is one of a kind, and the only remarkable thing about that is that you can't tell by looking.

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February update!

Hello! Please see above for a screenshot (not sure who the photo is by) from the lovely Fragmented Voices website which has my poem, Escaping Pheasants, as their featured poem today. This poem is inspired by the pheasants which are brought in to our local country house for people who are that way inclined to shoot. Sometimes I see them flapping down from the estate wall and on to the busy road, making a break for it toward the moors. Good luck pheasants. Escaping Pheasants also features in my book, Little Gods, published by the marvellous Roswell Publishing and available from booksellers and Amazon, or get in touch to get a signed copy from me. Other recent successes include two poems in Obsessed with Pipework #105, a Haiku in Coin Operated Press ' Haiku Zine, The Libraries came out in Culture Matters' Bread & Roses Anthology, and, as I mentioned last time, When you slow a bit you can see the way , another poem from Little Gods, came out in Butcher's Dog #19. I have ...

Happy New Year!

I can still wish you happy new year before January's out, right? Having spending a while doing research and convincing myself I can't write, I'm back in the room in 2019, sending my little baby poems out into the world. I have broken up the chapbook I was trying to get published, I've rewritten lots of stuff, and I'm happily sending them out to places where I hope they might find a happy home, while supporting some of the fantastic poetry magazines out there. One of those fantastic poetry magazines - Picaroon Poetry - run by the marvellous Kate Garrett - has already accepted one of my babies. It was one of the ones that I'd started to feel bored by, so I tore it to bits, rewrote it, and sent it off to Kate, who will be sending it out into the world in Picaroon Poetry #16 in May (which is terribly organised if you ask me, I don't even know what I'm doing tomorrow!). Thanks Kate! Hopefully I'll be letting you all know about more successes soo...

discovering Iain Crichton Smith

I think I don't like poetry. In fact I'm pretty sure. What I like is a brick of a book with well rounded characters, who can take me on a journey with them. I find that for me poetry can be navel gazing, twee nonsense, so caught up in its clever cleverness that it drives me to distraction. But then again, I like lots of songs for their lyrics, and sometimes, just sometimes, I come across some poetry which just blows me away. I came across Iain Crichton Smith recently at my writing group. I live in Scotland, and the other members of the group were all saying that Smith is so much covered in Scottish English (and Gaelic) classes that people don't tend to notice the beauty of his poetry. I didn't go to school in Scotland. The poets I studied at school were people like Wordsworth, Shakespeare, Shelley. I don't recall ever coming across anything like this. That said, I'm not sure that as a teenager I would have noticed it. Perhaps you have to have some i...

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