Skip to main content

Tanka Project #32: Remembrance

There are so many pat things that we all say about what life is like, we have heard them so often that we sometimes just nod along. It can take a jolt to make us question them, like Dany, breaking the wheel (for you GoT fans).

The other day I heard a bunch of older men speaking, they were all nodding at each other about how the nature of life was conflict - in whatever way, that conflicts arise and are dealt with and so another arises, and so it is and so it is and so it shall be.

I think there's something peculiarly male and patriarchal about this idea, and I hope that as the structures of patriarchy crumble (they are crumbling, it's not pretty), so this notion can be questioned more. I don't believe there is anything truly warlike naturally within men, nor that there is anything intrinsically peaceful within women, but it has fallen to women in patriarchal society to do the emotional labour of bringing people together, which has been seen as part of their motherly role, women forge life and so protect it, while men are more expendable. Such ridiculousness. Let it end.


Comments

Popular posts from this blog

February update!

  Hello! Please see above for a screenshot (not sure who the photo is by) from the lovely Fragmented Voices website which has my poem, Escaping Pheasants, as their featured poem today. This poem is inspired by the pheasants which are brought in to our local country house for people who are that way inclined to shoot. Sometimes I see them flapping down from the estate wall and on to the busy road, making a break for it toward the moors. Good luck pheasants. Escaping Pheasants also features in my book, Little Gods, published by the marvellous Roswell Publishing and available from booksellers and Amazon, or get in touch to get a signed copy from me. Other recent successes include two poems in Obsessed with Pipework #105, a Haiku in Coin Operated Press ' Haiku Zine, The Libraries  came out in Culture Matters' Bread & Roses Anthology, and, as I mentioned last time, When you slow a bit you can see the way , another poem from Little Gods, came out in Butcher's Dog #19. I have ...

A wee update

  Hello! Thought I'd give you a wee update on how things are going in my world! Little Gods came out with Roswell Press at the end of September 2023 and I was really busy for the first bit of October, reading poems from the new book at various local events. I'm really grateful for all the books people bought, but there's still copies available, either online via Amazon  for Kindle or in paperback, or you can get in touch with me at caralmckee (at) gmail (dot) com to get a signed copy of Little Gods and/or First Kiss sent to you in the post! After my reading frenzy at the beginning of October I took a little break for a birthday celebration frenzy (it's still going on, there's a lot to celebrate). I've been meaning to read a couple of poems online too, but I'm having a flare of trigeminal neuralgia which is triggered by talking, so that will come when it comes. I'm hoping to read at the Scottish Writer's Centre launch of their new Mountain & Glen ...

loving Jackie Kay: five of my favourites

So I'm a bit late to this party, but Jackie Kay was named as the new Makar (the Scottish Poet Laureate) back in March, there's a lovely interview with her on Woman's Hour, talking about getting the phone call from Nicola Sturgeon (the Scottish First Minister). It's early on in the programme here . So I thought I'd share five of my favourites of her poems. First up is 'Her', a haunting poem which brings up more questions than it answers, and has a lovely rhythm to it. You can hear Jackie read it here . On the same site you can hear her read Things Fall Apart , which is a fascinating slice of an important moment in Jackie's life. I was drawn to it for the title, reminding me of Chinua Achebe's novel of the same name, taken from the line in Yeats' poem, The Second Coming : "things fall apart; the centre cannot hold;". I love the way Kay focuses in on her father and then out to the context, finally lighting on the connection between th...