Skip to main content

She Broke Gods: a flash fiction post


Hello all! I'm taking part in Chuck Wendig's flash fiction challenge today, sharing this ever so short story about, well, it's about a woman who broke gods. Iconoclastically. I'm getting more into short fiction lately, so let's see how I get on!



She Broke Gods

She did it methodically, working her way around the incensed alcoves while the men in their robes worked out what to do. Some sank to their knees, praying to the gods even as she smashed them, taking her time to hit them repeatedly against the wall, the floor, anything which might help reduce the beautiful statues to ground powder.
Hands raised in blessing flew across the floor as she hauled each god down from its plinth, and if any of the be-robed men challenged her actions, and they did, tears tracking down dust grimed faces as she performed her iconoclasm, taking her time to get it right, she seemed to pay them no heed. Yet, as she swung the statues down, golden crowns tinkling to the floor, she managed to hit any man who got in her way.
Their broken bodies would be pulled away by their brethren who, once outside, ran to spread the word that the Temple of the Gods was sullied, that female flesh had crossed the threshold and that now the Gods themselves were falling one by one. Gone and gone.
Some had argued that women should be allowed entry, even some of those that were now running. That was before. Now they saw their error. Just one woman, and she was grinding the gods to dust.
She worked her way around. Even the Father was desecrated, his head broken off to roll across the floor, scooped up by fleeing brethren, his tears revealed to flow from a faucet that now gushed water to the rubble-strewn floor.
Not all ran. Some still remained. Not arguing, just kneeling in prayer as their gods fell around them, their robes filthy with the mud of destruction.
Still she went on, silently devoted to the attentions she gave each of the puny gods.
They all fell. All the gods were broken.
Then she turned to those few that remained. “Get up.” She demanded. “Your gods are broken. Get off your knees.”
Hesitatingly, unsure what might be safest, most of the men got to their feet, but two remained on their knees, their praying fervent now, as if they could pray time to turn back.
The woman rolled her eyes and pulled them up. One took to his feet, backing away from her, but the other made no effort to stand, held there with his feet dangling. She brought him close to her, close enough to kiss. “We women have held you up too long.” She told him. “While your gods have ruled us through you. Stand up!”
He went to put his feet down and she dropped him those last two inches to the floor. “That time is passed.” She said.
And she left.
No-one knew where she went to, nor what her name had been, but in the temple a golden statue was built, strong and wild and female, and the temple got a new name: The Temple of the Goddess.

Comments

Popular posts from this blog

February update!

  Hello! Please see above for a screenshot (not sure who the photo is by) from the lovely Fragmented Voices website which has my poem, Escaping Pheasants, as their featured poem today. This poem is inspired by the pheasants which are brought in to our local country house for people who are that way inclined to shoot. Sometimes I see them flapping down from the estate wall and on to the busy road, making a break for it toward the moors. Good luck pheasants. Escaping Pheasants also features in my book, Little Gods, published by the marvellous Roswell Publishing and available from booksellers and Amazon, or get in touch to get a signed copy from me. Other recent successes include two poems in Obsessed with Pipework #105, a Haiku in Coin Operated Press ' Haiku Zine, The Libraries  came out in Culture Matters' Bread & Roses Anthology, and, as I mentioned last time, When you slow a bit you can see the way , another poem from Little Gods, came out in Butcher's Dog #19. I have ...

Happy New Year!

I can still wish you happy new year before January's out, right? Having spending a while doing research and convincing myself I can't write, I'm back in the room in 2019, sending my little baby poems out into the world. I have broken up the chapbook I was trying to get published, I've rewritten lots of stuff, and I'm happily sending them out to places where I hope they might find a happy home, while supporting some of the fantastic poetry magazines out there. One of those fantastic poetry magazines - Picaroon Poetry  - run by the marvellous Kate Garrett - has already accepted one of my babies. It was one of the ones that I'd started to feel bored by, so I tore it to bits, rewrote it, and sent it off to Kate, who will be sending it out into the world in Picaroon Poetry #16 in May (which is terribly organised if you ask me, I don't even know what I'm doing tomorrow!). Thanks Kate!  Hopefully I'll be letting you all know about more successes soo...

discovering Iain Crichton Smith

I think I don't like poetry. In fact I'm pretty sure. What I like is a brick of a book with well rounded characters, who can take me on a journey with them. I find that for me poetry can be navel gazing, twee nonsense, so caught up in its clever cleverness that it drives me to distraction. But then again, I like lots of songs for their lyrics, and sometimes, just sometimes, I come across some poetry which just blows me away. I came across Iain Crichton Smith recently at my writing group. I live in Scotland, and the other members of the group were all saying that Smith is so much covered in Scottish English (and Gaelic) classes that people don't tend to notice the beauty of his poetry. I didn't go to school in Scotland. The poets I studied at school were people like Wordsworth, Shakespeare, Shelley. I don't recall ever coming across anything like this. That said, I'm not sure that as a teenager I would have noticed it. Perhaps you have to have some i...